Boyhood: Richard Linklater


 Boyhood recently opened up in the theatres.  More than a decade in the making, Boyhood delivered a great script. Boyhood was filmed entirely in Texas. Texas is one of my home and being a Texan I was a tad bit partial with this film. I had no expectations, but as a filmmaker, there were few flaws in the screenplay that got under my skin. Life will be simultaneously underwhelming and overwhelming with a sudden burst of drama and love at tender times. At times, I felt as if I was living the characters’ lives, and growing up with them during the film.


Richard Linklater was born and raised in Houston, Texas. He moved to Austin after quitting his routine job and began his career as an independent filmmaker. In his Reddit AMA, he stated, “Once you devote your life to film you're kind of in for the whole thing. I've noticed different kinds of films have inspired me at different points in my life, but the goal is to see everything.” With Boyhood, Linklater has constructed an original film, a movie that will be remembered for the coming years.

Boyhood began with a scene of a perfect blue sky, partially clouded and a background song of Coldplay’s “Yellow.” Coldplay’s Parachutes was released in 2000. The film follows a story of Mason Jr. (Ellar Coltrane), and his older sister Samantha (Lorelei Linklater) and their mother Olivia (Patricia Arquette) and in suburban Texas.  Olivia moves to Houston to complete her studies at University of Houston while her mother looks over her kids. When in Houston, Mason’s father, Mason Sr (Ethan Hawk) visits them frequently. The kids and their mom face various challenges throughout the film.  

I have rarely seen such an accurate reality projected on the screen. Boyhood recognizes commotion of adolescence as well as raising children as a single mother. Just like life, the ups and downs. However, Mason’s character lacks a strong character development during teenage years. He was the same ole annoying kid you met during high school. The cynic who felt the world was out to get to him. There is a scene in the film where he goes to University of Texas at Austin to visit his sister with his girlfriend. This was his phase to losing virginity by having sex with his girlfriend in her sister’s dorm while her roommate is out of town. It felt forced. I wanted the character much more relatable in terms of sexual frustrations. Samantha, a clever kid goes through infamous changes throughout the film. She reflected many of my female cousins in today’s society. Hollywood scripts have made my very icky. During a scene in Boyhood, Mason Jr’s girlfriend is showing him a picture of a dog on Facebook while he’s driving. I had this sudden feeling that he was going to crash and end up in the hospital. The main reason I thought about this was because most Hollywood scripts add jibber jabbers.



Despite the few flaws, Boyhood is a poignant film. The film rewards our expectations at the end. The film has minimal camera movements and uses natural light making it more like a home video. Boyhood demonstrates the flow of time by using cultural references: Game Boys to Xbox, Coldplay to the Black Keys, and George Bush Jr. to the Democratic Campaign of POTUS in 2008.  What is unique about Boyhood is what each character learned from their mistakes. 

Interstellar: Christopher Nolan


Christopher Nolan was never in my list of favorite movie directors primarily because he wasn’t someone I paid much attention to during film school neither during his Batman movie series success. I’m lukewarm to rest of his films. I still remember the day I become a fan of his “A man with a movie camera” as known as “Inception.” I became his true fan boy only after seeing Interstellar 3x this weekend. 


Most reviews of Interstellar were a bit too harsh towards Nolan, and frankly, modern film critics go haywire comparing and contrasting films or looking for scientific inaccuracies (Neil deGrasse Tyson and Phil Plait ~ I’m looking at y’all).  Most reviews complained about the lack of sound quality and I wasn’t much troubled with sound expect one Micheal Caine scene, and Christopher Nolan disregarded any claims against bad sound quality by stating, “Information is communicated in various different ways over the next few scenes. That’s the way I like to work; I don't like to hang everything on one particular line. I like to follow the experience of the character.” Interstellar is a crossword puzzle; you get the most out of it by reviewing and filling in all the details.

Interstellar made an entry into Kip Throne’s mind tesseract, a theoretical physicist, when he decided to write a screenplay. Many studios shot down the screenplay because it lacked an appeal to the masses. Space movies meant little to no science, or bit of Star-trek and Aliens; however, Interstellar is much more than just science. Sending someone to space is very costly, and the GOP has told many dreamy and dream-on Astronauts to evaporate their dreams in the space by cutting NASA’s budgets left and right. Outer space is off limits in 21st century, while recently “third-world” countries like India are gearing up the race for space travel.




The premise of Interstellar is simple. Interstellar begins with Earth dying; vegetation is slowly killed by the conditions of dust bowl. Cooper (Matthew McConaughey), an ex-NASA pilot turned corn farmer in the Midwest in the future finds the coordinates of a location; Murph (Mackenzie Foy), a young daughter of Cooper believes the ghost (“they”) is communicating with her. The father and daughter jump in their jeep and drive towards a metal fence where the secret NASA’s last remaining space center is hidden where Professor Brand (Michael Caine) is waiting for them. Professor Brand convinces Cooper to go through a wormhole into another galaxy to seek out for the three planets (follow up on “The Lazarus Project,” that sent 12 astronauts to 12 different planets in another galaxy that may or may not be able to tolerate human life and only three planets received YES vote.) with Brand’s daughter Amelia, and two other Astronauts and human-like Robots known as KIPP, TARS, and CASE (Cats Speak RIP?).



Cinematographer Hoyte van Hoteyma is known for films such as The Fighter, Her, Let the Right One In, and his work in Interstellar is magically smooth and divine. His new job involves Bond 24. However, most of the credit should be given to Nolan’s perfect execution through analog. Nolan minimizes digital usages and the film being shot on celluloid gave a more realistic approach to cinema. At times, Hans Zimmer’s score overpowers the screen, while many complained about the sound quality, but I felt it was need in a space film where there are no sounds present. For example, there is a scene where Cooper’s team is going near Saturn’s ring and there is absolute silence followed blast of music. Christopher Nolan has definitely changed my views on analog and the future of it.